Creating Across Cultures by Michelle Vosper, editor
This collection of profiles celebrates the artistic achievements of sixteen visionary women from a region of surprisingly diverse cultures despite their geographical proximity. From literary figures like Nieh Hualing and dance icons like Yang Meiqi, to bold contemporary artists Yin Xiuzhen and Lulu Hou, their creativity covers a wide range of literary, visual and performing arts. These courageous women often had to defy cultural expectations in order to heed their artistic drive. Their artworks delve into the social realities of their times, and their personal stories provide an intimate portrait of the historical trajectory of Greater China over three generations. Written by journalists and scholars with deep knowledge of the arts in Asia, and richly illustrated with images of art and historical events, the collection reveals the vibrance of women’s art in the region.More info
The Kite Family by Hon Lai-chu
A patient escapes from an asylum to spend his life as the perfect mannequin in a store display; a luckless man transforms himself into a chair so people can, literally, sit on him; after living alone is outlawed, a woman who resides quietly with her cat is assigned a role in an artificial “family.” These are just a few of the inhabitants of Hon Lai-chu’s stories, where surreal characters struggle to carve out space for freedom and individuality in an absurd world. The Chinese version of The Kite Family won the New Writer’s Novella first prize from Taiwan’s Unitas Literary Association, was selected as one of the Top 10 Chinese Novels Worldwide, and was awarded a Translation Grant from the U.S. National Endowment for the Arts.More info
Snow and Shadow by Dorothy Tse
Dorothy Tse’s stories often start on a note of innocence, but an abrupt twist invariably brings us up short: dreamscapes descend and the pages become populated with ever-weirder characters. Strange occurrences are juxtaposed in ways that confound logical expectations. These stories are not for the faint-hearted—violence and sensuality abound. Limbs, even heads, are lopped off with regularity. Yet scenes can be so outrageous that we find ourselves laughing. Tse’s bold narrative experiments leave us alternately beguiled and deeply unsettled.More info
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